Having finished the eighth and final season of GAME OF THRONES, I’m mostly left with an abiding fondness for...
AVENGERS ENDGAME: me being underwhelmed by an MCU film’s (epic, overloaded) final act is as inevitable as Thanos, apparently,...
Loved (most of) the first half of Jordan Peele’s US, including a measured, haunting prologue and a terrific home...
First viewing of Wim Wenders’ WINGS OF DESIRE; a poem of a movie that makes of its audience angels...
Lee Chang-dong’s BURNING brought to mind no less than Leatherface’s twirl through the golden hour in THE TEXAS CHAIN...
THE FAVOURITE has the grotesque beauty of an 18th-century political cartoon painted in inky shadows and candlelight, ruling classes...
Saw Alfonso Cuarón’s ROMA, still awash in its elemental grace. A richly ambiguous portrait of dysfunctional, deeply broken love–between...
SPIDER-MAN: INTO THE SPIDER-VERSE is one of the best superhero movies I’ve ever seen, and one of the most...
Gareth Evans’ APOSTLE is a stylishly unsubtle fable about the cultish brutality of ideological extremism, whether manifest in religious...
Damien Chazelle’s FIRST MAN paints Armstrong’s ascent to the Moon as an escape from grief and familial responsibility, the...
