Lynne Ramsay’s YOU WERE NEVER REALLY HERE: the plot of a pulpy action thriller subsumed into a hypnotic meditation...
SUCCESSION is a fucking *beast*. The One Percent as deliciously, beautifully human as only fiction can make them, impressive...
HEREDITARY is a near-masterpiece, and falls short because its use of grief and familial trauma as fuel for a...
POSE, which explores the lives of a variety of queer and trans characters involved in the Ball Culture of...
Finished THE TERROR, which resurrects the phantoms of a lost expedition driven by imperial hubris, sends them on a...
THE AMERICANS (2013-2018) finale brings home the subtext of the show: that the machinations of nation-states are a cruel,...
SOLO could have been an Ocean’s 11 in space, but shoves aside its tantalizing heist movie aspirations for rushed...
DEADPOOL 2 is the kind of movie that has dudes in the theatre competitively repeating every joke out loud...
Buried by Netflix and the release hoopla around AVENGERS: INFINITY WAR but out now; a South Korean superhero movie...
THE DEATH OF STALIN is a canny portrait of evil as men (mostly, in this case) desperately competing to...