Lynne Ramsay’s YOU WERE NEVER REALLY HERE: the plot of a pulpy action thriller subsumed into a hypnotic meditation...
SUCCESSION is a fucking *beast*. The One Percent as deliciously, beautifully human as only fiction can make them, impressive...
‘Even when Vandana Singh’s stories are about saving worlds, they’re not. They’re about how we tell stories about saving...
HEREDITARY is a near-masterpiece, and falls short because its use of grief and familial trauma as fuel for a...
POSE, which explores the lives of a variety of queer and trans characters involved in the Ball Culture of...
Finished THE TERROR, which resurrects the phantoms of a lost expedition driven by imperial hubris, sends them on a...
THE AMERICANS (2013-2018) finale brings home the subtext of the show: that the machinations of nation-states are a cruel,...
SOLO could have been an Ocean’s 11 in space, but shoves aside its tantalizing heist movie aspirations for rushed...
DEADPOOL 2 is the kind of movie that has dudes in the theatre competitively repeating every joke out loud...
Silvia Moreno-Garcia’s PRIME MERIDIAN (which was named one of the best novellas of 2017 by Locus, and by the...
